2014 Resonating Images III, William Roland Gallery of Fine Art, California Lutheran University, Thousand Oaks, California
2010 I Want Candy, Hudson City Hall Arts and Cultural Center, Lake Charles, Louisiana
2010 I Want Candy, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin
2009 I Want Candy, Nicolayson Art Museum, Casper, Wyoming
I Want Candy, Fresno Metropolitan Museum, Fresno, California
2007 I Want Candy, Hudson River Museum, Yonkers, NY.
Multiple Vantage Points, Southern California Women Artists 1980-2006, Los Angeles Municipal Art Gallery, Los Angeles, CA.

2005 The Curious and the Profound, 18th Street Gallery, Santa Monica, CA, Curated by Lisa Adams.
1991 Artcore Annex, Los Angeles, CA.
Coast Savings Lobby, Harold Held Properties, Los Angeles, CA, Curated by Michelle Insberg.
1990 Wallworks, L.A. Artcore, Los Angeles, CA, Curated by Peter Frank. Security Pacific Plaza, Los Angeles, CA.
1989 Variations Los Angeles: The Form, Ruth Bachofner Gallery at Bergamot Station, Santa Monica, CA, Co-curated by Peter Frank.
1988 After Abstract, Art Center College of Design, Pasadena, CA, Curated by Stephen Nowlin.

Exhibit Catalogues

I Want Candy

The Sweet Stuff in American Art is a group show in 2007 that took place at the Hudson River Museum. The exhibition focused on sweets reflected through the eyes of 42 contemporary artists from around the nation, the city of Yonkers, where the museum is located, has long had an association with sugar, one of the leading industries in Yonkers. The show was sponsored by Domino Sugar.

"Today, the sugar industry remains in Yonkers, a reminder of the past and also a harbinger of the city's vibrant future. It is fascinating to think that sugar, so uniform in its production, could be the basis for such a varied artistic response in the group of excellent artists assembled here."

Michael Botwinick, Director, Hudson River Museum

Ruth Grace Jervis: New Paintings 2001-2005

A solo show in 2005 at Hinsaker/Schlesinger Fine Art at Bergamont Station. The show was comprised of her paintings of boats, cakes, Machu Picchu, Untitled 13 & 6 (early landscapes), Untitled 4 (Whirlpool/Gladiolus). This catalogue included Peter Frank's essay, "Ruth Grace Jervis: Pictures of Abstraction".

De La Vision a la Revelation

Two person show with Victor Manuel Contreras, sculpture and Paintings by Ruth Grace Jervis at the Museum of the City of Cuernavaca, Mexico, 2012

Multiple Vantage Points

Multiple Vantage Points catalogue is a group show for Southern Californian women artists from 1980-2006. The show took place at the Los Angeles Municipal Art Gallery in Barnsdall Park and exhibited from February 25-April 15, 2007.

It was curated by Dextra Frankel.

It was sponsored by Southern California Women's Caucus for Art & Southern California Council of the National Museum of Women in the Arts.

"Multiple Vantage Points investigates the critical role women artists play in redefining the national dialogue on feminist issues. The period of 1980 and the present is particularly important as it marks the time when women "baby boomers" began to exercise their political and economic power. They were charged with putting into practice the gains and social imperatives that were established by earlier feminist movements. It was left to the artists, many of whom are in this exhibition, to articulate through their work the nuances of societal change and different, often alternative, perspectives on politics, sexuality, and spirituality. Ironically, the artwork produced by women during this period has profoundly influenced the work produced by men in that "masculine/feminine sides" through subject matter, technique, and process, as only a few had prior to this time."

Mark Steven Greenfield, Director, Los Angeles Municipal Art Gallery

Solo Exhibitions